Original paper
Rwandan music-makers negotiate shared cultural identities after genocide: the case of Orchestre Impala’s revival
Abstract
In the sensitive post-genocide cultural landscape of Rwanda, this research considers the significance of the recent revival of a musical group that was first popular in the pre-genocide Habyarimana era. Orchestre Impala was perhaps the most popular musical group of the late 1970s and 1980s, and its revival represents something of a novelty in Rwanda’s national cultural politics. Perhaps, we suggest, this may reflect a certain ‘normalization’ of...
Paper Details
Title
Rwandan music-makers negotiate shared cultural identities after genocide: the case of Orchestre Impala’s revival
Published Date
Apr 29, 2020
Journal
Volume
34
Issue
6
Pages
925 - 958
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Notes
History