Geology

Archaeology

Statue

Glaze

History

Electron microprobe

Ceramic

Mineralogy

Chemistry

Metallurgy

Materials science

Emerald

EMPA

Gypsum

Art history

Heritage Science

The spontaneous degradation of pigments in painting may occur depending on environment, especially the surrounding condition of high humidity and soluble salts. Even some of these are well studied, more investigations are still in need for heritage science. Paint cross sections from Vairocana Statue in Dazu Rock Carvings, one of World Cultural Heritage, Chongqing, China are studied by optical microscopy (OM), Raman spectroscopy (Raman) and mapping, and scanning electron microscopy coupled with energy dispersive X-ray analysis (SEM–EDS). Ultramarine blue, emerald green, synthetic atacamite, vermilion, red lead, gold foil, orpiment, cerussite, gypsum and barite are identified as pigments. Moreover, lavendulan (NaCaCu 5 (AsO 4 ) 4 Cl·5H 2 O) and mimetite (Pb 5 (AsO 4 ) 3 Cl) are degradation products of emerald green (Cu(C 2 H 3 O 2 ) 2 ·3Cu(AsO 2 ) 2 ) and cerussite(PbCO 3 ) originally used as green pigment with mixture. These secondary products are formed via multistep progresses as degradation of emerald green and cerussite, oxidation of arsenite ((AsO 2 ) − ), migration of arsenate ((AsO 4 ) 3− ) and precipitation reaction of these ions with other necessary ions from environmental conditions. Based on the pigment and paint layer stratigraphy analysis, the paintings of the statue have been executed at least four times and the most recent may be after 1850s. The formation of lavendulan give rise to a highlight for identification of green copper-arsenic containing pigments and characterization of degradation in complex conditions.

Degradation of emerald green: scientific studies on multi-polychrome Vairocana Statue in Dazu Rock Carvings, Chongqing, China